Showing 87 items matching artist's model
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Federation University Historical Collection
Document, Letter from Patricia Gourlay and reply
... Artist's Model.... Arblaster Artist's Model ...Ballarat Technical Art School is predecessor of Federation University Two Letters - .1 Handwritten letter from Patricia Gourlay .2 Reply from Ballarat Technical Art SchoolMr Mainwairing or is thid for the Museum or Gallery People? written in red pen at the top.ballarat techncial art school, patricia gourlay, r.j. crick, hugh ramsay, h.e. arblaster, artist's model -
Grey Street Primary School, Traralgon
Wax model, Sir Macfarlane Burnet, About 1999
... Wax model by artist Glen Davies... Traralgon gippsland Wax model Sir Macfarlane Burnet Wax model ...Wax mould from which bronze bust of Sir Macfarlane Burnet was cast. The bronze bust is located on a plinth outside the Traralgon Court House in Franklin Street and was commissioned by Latrobe City to celebrate the centenary of Sir Macfarlane Burnet's birth.Mac Burnet attended Traralgon State School, and went on to become Director of the Walter and Eliza Hall Institute of Medical Research and share the Nobel Prize for Medicine with Peter Medawar of London University.Wax model by artist Glen Davies -
Eltham District Historical Society Inc
Document, Parade Entry form, Eltham Historical Society and Diamond Valley Arts Society, 16th Eltham Community Festival, 8-11 November 1990, Nov 1990
... of his artist friends painting a model in a spring outfit.... by the famous artist, Walter Withers with one of his artist friends ...Proposal for the two Societies to join together for the first time to present a float based on a spring landscape painting excursion by the famous artist, Walter Withers with one of his artist friends painting a model in a spring outfit.A4 photocopy on coloured paper1990, diamond valley arts society, eltham festival, parade, parade floats, shire of eltham historical society, walter withers -
Eltham District Historical Society Inc
Document, Parade Entry form, Eltham Historical Society and Diamond Valley Arts Society, 16th Eltham Community Festival, 8-11 November 1990, 1990
... of his artist friends painting a model in a spring outfit.... Withers with one of his artist friends painting a model ...Proposal for the two Societies to join together for the first time to present a float based on a spring landscape painting excursion by the famous artist, Walter Withers with one of his artist friends painting a model in a spring outfit.A4 coloured photocopy1990, diamond valley arts society, eltham festival, parade, parade floats, shire of eltham historical society, walter withers -
Melbourne Tram Museum
Newspaper, The Age, "Hit by a bureaucrat's tram", 15/07/1992 12:00:00 AM
... Phil Pinder, an artist who created ceramic models..., an artist who created ceramic models of the Transporting Art trams ...Newspaper clipping, The Age 15/7/1992, titled "Hit by a bureaucrat's tram", written by Kevin Childs, photo Angela Wylie, about Phil Pinder, an artist who created ceramic models of the Transporting Art trams. Who was displaying and selling them. This breached copyright, advised by the Ministry of Arts.trams, tramways, transporting art, copyright, models -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
... the three artists drew from models whom the Haefligers hired..., and together the three artists drew from models whom the Haefligers ...David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Federation University Historical Collection
Certificate, Australian Juvenile Exhibition Ballarat Certificate, 1896
The certificate was designed by David Kent in 1896Timber framed certificate relating to the Australian Juvenile Exhibition Ballarat and awarded to William Baragwanath for the model of the Welcome Gully. Frame is by W.H. Burgoyne, Picture Frame Maker, artist, Castlemainecertificate, w.h. burgoyne, william baragwanath, c.b. retallack, joseph j. kelsall, david kent, rider and mercer -
Federation University Historical Collection
Booklet - Magazine, College Quarterly: The Official Organ of the Working Men's College Melbourne, 2010, 03/1910
The Working Men's College later became the Royal Melbourne Institut of Technology (RMIT), and is now RMIT Univesity.Charcoal green soft covered magazine of the Working Men's College. Articles include: * On the Beginning of Things (Robet Haddon) * An Annual Out-door day * Powlett Coal * The Arts and Crafts Society * Gordon College * Big Guns * The Aeroplane * The Department of Engineering (W.M. Kernot) * British Craftsmanship (Robert J. Haddon) * The Education of an artist in Australia (Archibald Colquhoun) * The Ordeal of Eyes * Modelling and the Sculptors Art (J.S. Davie) * Wrought Iron - Old & NEw (John G. Lothian) * Some Lately Departed Students. (A. Coates, S. Rennick, W. McLean, J. Douglas, H. Colwell, L. Ritchie, B. Caldwell, V. Bowen, W. Williams, T. Richardson., L. Leslie) * Sport * Correspondence * NEws from Fiji (J. Herbert Beath) * A Student in China (R.C.S. Ogilby * College Examination Results, 1909 Images: Wilfred N. Kernot, Engineering classes and rooms, Blacksmithing workshop, Antique drawing roomc. dowel, working men's college, rmit -
Eltham District Historical Society Inc
Photograph, Peter Laycock, 1971ca
Page 133: "..Studio potters and ceramic artists began settling in this area (Warrandyte) from about 1945.. Meanwhile a group was developing at Cottles Bridge, making their own kick-wheels and kilns and producing pots and models by what often began as a co-operative system, two or more artists co-operating in making each article... Husband and wife teams predominated.. Laycock and Alma Shanahan have been responsible for the now thriving reputation of the "Dunmoochin" pottery.."Black and white photograph reproduced on p131 of 'Pioneers & Painters: One Hundred years of Eltham and its Shire' by Alan Marshall (1971)pioneers and painters, peter laycock, dunmoochin, pottery -
Eltham District Historical Society Inc
Document - Folder, Mackenzie, Andrew
Andrew Mackenzie OAM (1952-), librarian, expert on the life and paintings of Walter Withers and Frederick McCubbin; compiler of "The Etchings, Lecture Notes and Writings of Victor Cobb" and "Walter Withers: The Forgotten Manuscripts", author (for the Famous Australian Art Series) of "Hans Heysen", "Albert Namatjira" and "Walter Withers"; author of "Holesch 1910-1983: Horse Paintings" and of "Frederick McCubbin 1855-1917:"The Proff' and his art"; curator of exhibition "A Tribute to Victor Cobb" and exhibition of artworks of City of Box Hill; co-curator of exhibition "Snugglepot and Cuddlepie and other Fairy Folk of the Australian Bush"; member of the Victorian Artists' Society, Old Water Colour Society's Club and Pastel Society of Victoria. Contents Letter from Andrew Mackenzie to Russell Yeoman, 19 December 1987, regarding planned exhibition of Walter Withers material and lecture to Eltham Historical Society. Nomination from Sue Law, President Eltham Historical Society, 23 January 1990, for Andrew Mackenzie to receive an Australian Heritage Award. Newspaper article: "Eltham honors artist", Diamond Valley News, 16 October 1990, re unveiling of commemorative plaque to Walter Withers in Eltham, designed by John Ebell. CV for Andrew Mackenzie undated but post 1990. Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. Newspaper article: "McCubbin talk of immense interest", The Courier Ballarat, 9 January 1992, report of lecture at Ballarat Fine Art Gallery by Andrew Mackenzie on Frederick McCubbin. Magazine article: "Art on show", The Australian Women's Weekly, January 1993, photographs of people attending exhibition of works of Frederick McCubbin, Queensland Art Gallery, including Andrew Mackenzie author of a new limited edition book on McCubbin. Newspaper article: "Meet Andrew Mackenzie", The Heidelberger 23 February 1994, his background and interests, his next project to research Hayward Veal. Letter from John Withers to Sue Law (Eltham Historical Society), 4 August 1994, notifying that he had nominated Andrew Mackenzie for a future Australia Day Award (attaching his documentation). Newspaper article: "Artist's portrait of tragic child is a special find", no publication details, details of forthcoming Sotheby sale which included Frederick McCubbin's portrait of daughter Mary who died in 1894 following an accident, with comment by Andrew Mackenzie. Notice of General Meeting of Eltham District Historical Society, 10 September 2014, speaker Andrew Mackenzie on Walter Withers. Newspaper clippings, A4 photocopies, etcwalter withers, frederick mccubbin, annie mccubbin, mary mccubbin, john withers, john ebell, kathleen mangan, james edward, on the wallaby track, fontainbleau eltham, william mcgregor of mount macedon, patrick watson, ballarat fine art gallery, margaret rich, sotheby's, justin miller, russell drysdale's "the outrider", hugh ramsay's "portrait of a young girl", benjamin duterrau's "portrait of matilda stanfield", eugene von guerard's western district landscape, jimmy watson, queensland art gallery, shirley florence, bettina macaulay, graham drummong, valerie drummond, susan anderson, jane henderson, maria poulos, hayward veal, andrew mackenzie -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy With Dog, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens. Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy With Dog, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Four Seasons, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Four Seasons, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Standing Woman, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Seated Woman & Totem Pole, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Seated Woman, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Seated Woman, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : The Worker, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : The Worker, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy with Rabbit, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy with Rabbit, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy with Rabbit, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Small Girl, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Small Girl, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Small Girl, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy with Animal, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy with Animal, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy with Animal, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Boy with Girl, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich